October Monthly Writing Group: Routine

Last week I posed a question in a few writing groups I’m in: would a monthly writing theme be helpful to you as a writer?

Do you want to write about a topic, a subject, or an idea together?

The answer was a resounding yes.

A monthly framework to write: join me for a new theme, each month.

So, let’s write together each month around a topic or a theme. Each month, I’ll put forward a topic for consideration with a call to write.

What’s in a monthly writing prompt?

  1. Read below to find out this month’s theme.
  2. Take the theme, explore it, and anytime this month (October 2016) write a poem, essay, or reflection of your choosing. You can take photos, post on Instagram, share on Twitter, or publish an essay.
  3. Leave a link to your work in the comments on this post. Share it using the hashtag #MoWriting (it’s short for “More Writing” and “Monthly Writing.”)

We can all read through the posts (check the links in the comments!) and get to know more of each other’s work and writing.

October’s writing theme: routines

Welcome to October, a time for introspection, reflection, and turning inwards.

Keeping in line with the idea of a monthly theme (which is itself a pattern and a routine), the first theme is all about Routine.

  • What does it mean to have a routine?
  • What does your routine look like?
  • What is routine, and what is not?
  • Does having a routine help you? When does having a routine not help you?
  • What are the routines in your relationships, your partnerships
  • What is your routine in your work?
  • Where do you want more, or less, structure and habit?

I find myself craving more routine as I take off on my next business adventure (yes, it’s happening already.) I’m drawing and detailing and designing in notebooks. I’m creating structures for expansion, creating places for community.

Why I’m creating this

Writing together has always held me accountable and let me dive deeper. Rather than flitting from one idea to the next, I want a way to dive deeper into a subject and explore it through multiple posts, as well as hear ideas from other authors, writers, and creators I admire. Using monthly themes and habits has been a successful tool in my own practice.

I’m borrowing these ideas from two organizations I admire greatly: Thousand Network has monthly themes for the Thousand Women’s Circle that I’m a part of, and Holstee’s Mindful Matter blog explores monthly themes, which I adore and have written for. So I will add to the room and create a monthly theme here on this website, for anyone who wants to join.

Going deeper with community

One of my desires is to find a way to bring more people together in community. Writing a blog alone is not enough; I want my business and my practice to bring creative people together. When we work together in creative ecosystems, collaborate on work (even if the work is first done solo), and find people to be in community with, our work grows richer and stronger.

Over the past few years, I’ve had a chance to see what happens with community through our writing groups, the Grace and Gratitude workshop, and in the private mastermind that kicked off a few weeks ago. (If you want to learn more about the next round of the Mastermind and put in an application for consideration, sign up here). Each time I admire how much you grow, especially as you learn from each other. If I can design things that bring people together — in community and around ideas — I’m content.

By finding and sharing your writing with each other — and by letting you discover each other through the comments and hashtags — I hope that you’ll all get to meet more of each other. I get to meet so many amazing people through writing on this blog, and I’m searching for ways to bring this community closer together over the coming years.

The prompts are free and the love is abundant!

So, go write about your routines, push publish on your essays and images, and leave a comment below with a link to your piece.

How to Give (and Get) Great Feedback On Your Writing

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A lot of people have asked me about how to get feedback on their essays. How do they publish it? Who should they ask? And why do they cringe and worry so much about whether or not people will be kind and say good things (or terrible things) about their essays?

Part of the fear in publishing is about being taken down by other people and having people hate what you make. Criticism can feel absolutely terrible and really sting. So how do you craft an essay — and share it — in a way that elicits positive responses?

While I can’t ban all internet trolls from existing, I can tell you some strategic tips about asking for feedback. We rarely do it, and it’s really helpful:

Be direct about the type of feedback you want.

How to ask for feedback (as a writer).

As a writer, it’s your job to proactively say exactly what you’re looking for with a review of your essay. It works really well if you are very clear about what feedback you’re looking for.

For example, here are some types of feedback you might be looking for:

  • Idea-based feedback: what do you think of the idea? Should I keep pursuing it? Is it a good direction?
  • Structural / developmental: does it make sense? Is it organized well? Should the ideas be re-arranged or sequenced differently?
  • Copyediting/proofreading: More fine-tuned, looking for lots of little errors and any last-minute typos.

If you’re looking for idea-based feedback, you might tell someone, “Hey, I have a draft with a bunch of typos in it, it’s not polished, but I want a gut-check that the idea is on the right track. Mind taking a look (and ignoring the typos) and letting me know if you think the overall direction is interesting?” 

Because there are so many types of editing and feedback, it’s hard to know whether you want another person to tell them your ideas on the right track — or to nit-pick through the commas and the punctuation.

You have to tell people what you want.

As a writer, it’s our job to give guidance to what we want. For me, this includes sending early drafts to friends that say, “Hey friend! I’m working on a piece and this is a super rough draft. I don’t need any heavy criticism just yet, but I’d love some words of encouragement and if you could tell me if you think this essay has some good pieces in it.”

I also love asking, when I’m ready, for people to “rip it up, tear it apart, let me know how it stands up to critique.”

How to GIVE feedback:

There’s a great essay and resource from the Facebook design team about how to give great feedback. There’s a difference between critique and criticism, and it’s important to understand the difference. From the article:

  • Criticism passes judgement — Critique poses questions
  • Criticism finds fault — Critique uncovers opportunity
  • Criticism is personal — Critique is objective
  • Criticism is vague — Critique is concrete
  • Criticism tears down — Critique builds up
  • Criticism is ego-centric — Critique is altruistic
  • Criticism is adversarial — Critique is cooperative
  • Criticism belittles the designer — Critique improves the design

This is a great list for understanding how to frame your feedback. Rather than saying “your idea is shit,” for example (although why would we say that!?), we could say, “It’s hard for me to understand the idea because the sentences are really long and winding. Can you try again with shorter sentences to unpack the idea more?”

Their guiding principle for giving feedback is that “critique should not serve the purpose of boosting the ego or the agenda of anyone in the meeting.”

When you give another writer feedback, you’re helping them to build up the essay. Consider yourself a collaborator and a coach that’s helping shape and tease out the best of their ideas. What questions can you ask that will help them clarify their ideas? How can they better explain things? Where do they need to give further stories and examples? What could be simplified or seems confusing to you?

This quality of feedback is immensely helpful, and when I get it from fellow editors, I am grateful.

What about you?

When have you asked for feedback? When have you received useful feedback on your writing? What works, and what hasn’t worked? Are you nervous about sharing your writing?

Why Writing is an Act of Bravery: A Letter to Writers

Brene Brown Power of Life.

“Only when we’re brave enough to explore the darkness will we discover the infinite power of our life.” — Brene Brown

Writing is an act of bravery.

Each year, when I teach our writing workshops, I get to work with a small group of twenty-some writers, thinkers, and creatives. Inevitably, the process gets difficult in weeks two and week three, because I ask people to share parts of their stories—their wishes, hopes and dreams, who they are.

My students write with angst—“I’m behind! This is hard! I’m struggling!”—and I know this feeling all too well. I encourage them to continue, to press on in the face of fear or worry, and to get their pens to the page as often as possible. I am here to support, to encourage, and to push—just the right amount. Enough to get into it. Enough to push past the blocks and the barriers. Then the insights come: “Wow—I wasn’t expecting that I’d write about that,” and “That was fascinating,” and “I just got lost in a 2,000 word story and I’ve barely just begun.”

Writing is an act of bravery. Writing often means facing your own darkness and light. This is an essay for all of the students in my writing class, but it’s also an open letter to all writers, everywhere, struggling.

1. An open letter to all writers.

Dear writers:

The past few weeks have been deep, winding, and possibly full of emotions as we unpack the thoughts and ideas that have perhaps been long been locked inside of our minds. We have access to our thoughts, but not always a full understanding of them. Emotions can have such a mastery over us, and forging a relationship with your pen can help unwind parts of that. Through writing, we discover deeper truths about what we want, who we are, what we value, and the stories that we tell ourselves. Often we have to write the stories first before we can discover what it is that we’re trying to say.

For the newest of writers, I often hear that these first few exercises are somewhat surprising, bringing up past ideas and thoughts that perhaps haven’t fully percolated or settled in ways that you had thought. Often rough with emotion and tenderness, I find that writing brings up ideas and thoughts that I’m not sure how to frame, or what to say, or where to go next. It is within this context that I offer up a thought of gratitude for showing up to practice, and thank myself simply for embracing the pen and paper as a way to discover new (and existing) thoughts and ideas.

Writing is a spiritual practice, a soul-cleansing, deep-dive into the emotions and ideas we might not even be at first aware that we have.

Writing is a spiritual practice, a soul-cleansing, deep-dive into the emotions and ideas we might not even be at first aware that we have. Some days writing brings out the best in us, and other days I have to thrash through words before getting up angrily to go for a long walk, dance out my thoughts, or drown my ideas in coffee, water or wine. As we uncover the deeper truths and ideas—we become aware of who we are, and possibly the painful moments within us that have been buried for so long.

Write to discover.

Writing lets me figure out what it is that I’m thinking, by putting words onto pages and telling the story of my life, my experiences, and the world as I see it around me.

When I come back to it, I recognize patterns and ideas and realize much more about my perspectives and point of view. One of the kindest things I’ve done for myself is take the time to make space on a page, write some words down, and allow myself to come back whenever I want to talk through my ideas. Not every day is a glamorous day by any stretch, and I often struggle to sit down at the computer in the first place. In fact, it’s amazing how appealing laundry and dishes become when I’m avoiding saying the thing that needs to be said. What keeps me coming back to my practices, however, is that this is the place where I’m allowed to think what I think, write what I want to write, and tell the stories no matter how fantastical or horrible they might feel. I have permission to explore these ideas, without consequence. I can write them down. So, I write them down.

When we look at ways to talk to other people and develop communications (and stories) that teach, share, and explain—or moreover, that persuade—it often requires a deep understanding of the self, as well as a deep understanding of another person. Whether you’re a marketer trying to explain your product to an audience that could benefit from your design, a teacher trying to clarify a new idea to students, or an individual seeking understanding from a close friend or loved one, it is through our words that we take the ideas in our minds and give them shape for other people.

Words and writing are one way that we tap into our soul and ideas—words are a connection device between humans, a way to tell stories and share parts of ourselves with other people.

Words and writing are one way that we tap into our soul and ideas—words are a connection device between humans, a way to tell stories and share parts of ourselves with other people. The more we practice using our words and explaining our thinking, the larger our repertoire of sentences and stories that we can pull from to explain ourselves to other people. The more we write, the better we can teach, explain, love, persuade. Writing, as a practice, gets easier the more that you do it.

Words give us the power to share.

Writing is about bravery and courage.

“Give me the courage to show up and be seen.” — Brene Brown.

“We’ve all got both light and dark inside us. What matters is the part we choose to act on. That’s who we really are. We all have shame. We all have good and bad, dark and light, inside of us. But if we don’t come to terms with our shame, our struggles, we start believing that there’s something wrong with us –that we’re bad, flawed, not good enough—and even worse, we start acting on those beliefs. If we want to be fully engaged, to be connected, we have to be vulnerable.” —Brene Brown, Daring Greatly.

The beauty of writing, and this is true for me quite profoundly, is that we can often make our way out of suffering through the act of writing itself and often just by writing alone. It is not always the action or the striving that must be reconciled, but rather the understanding and acknowledgment of feeling itself.

As Spinoza, the philosopher, is quoted:

“Emotion, which is suffering, ceases to be suffering as soon as we form a clear and precise picture of it.” – SPinoza

In re-reading Man’s Search for Meaning, a gut-wrenching first-person account of surviving the concentration camps of Nazi Germany, Harold Kushner details the quest for meaning in his introduction to the account:

“Life is not primarily a quest for pleasure, as Freud believed, or a quest for power, as Alfred Adler taught, but a quest for meaning. The greatest task for any person is to find meaning in his or her life. Frankl saw three possible sources for meaning: in work (doing something significant), in love (caring for another person), and in courage during difficult times. Suffering in and of itself is meaningless; we give our suffering meaning by the way in which we respond to it.”

Forces beyond your control can take everything you possess except one thing, your freedom to choose how you will respond to the situation. You cannot control what happens to you in life, but you can always control what you will feel and do about what happens to you.

Writing is not just about sadness and suffering, either (and nor is life). Writing also lets us write the good things, write the ways we want to feel, and give permission to the greatness in emotion that needs as much encouragement to expand as do the emotions that make us seek understanding. Good feelings need space to expand, too. Write about all of it. Tell it.

Perhaps we are afraid of writing because we’re afraid of knowing our own story.

Writing is intimidating for so many reasons. We’re scared that we won’t capture the ideas or know what to say—and we’re afraid of what we’ll discover or become if we do pencil out those terrifying thoughts.  in your life do you feel brave or have you been brave? Perhaps your writing journey can begin with a highlights reel: describe a moment in your life when you encountered an opportunity to be brave. How did you react? What was the call to action? How long did it take you to decide to do something? How did you feel before, during, and after? What was the result? Who was changed as the result of this event?

Bravery is something different to every person.

To me, I can find it tremendously difficult to act upon one of my biggest dreams—the dream that I’m almost afraid to make real, the one that seems so simple to everyone else but me. In contrast to this seemingly simple thing, this act that everyone but me seems to find easy, I would rather jump in an ocean naked, swim a hundred miles, or work myself to the ground than admit to myself how important it is. When I discovered the extent to which I was avoiding doing the practice of my deepest dream, I wondered to myself whether or not taking steps to fulfill this dream was even brave. Did it matter that it seemed like the hardest thing in the world was getting on that bus and taking myself to the class I was so scared of? Did each of these actions—even just saying what my dream was out loud to those closest to me—was that even bravery?

Speak up for something you believe in.

The answer is yes. Speaking up for something you believe in, even if it’s just a laugh and a smile; holding your daughter’s arms, saying no with your eyes, writing about a story that hurts to tell, taking a class that terrifies you even though it doesn’t seem difficult to anyone else—this is bravery.

Write, tell the story of your life.

Thank you for reading and writing,

Sarah