50 Things That Make Me Happy

In the free series of writing prompts I put together, one of the prompts is to make a list of 50 things that make you happy. I love lists (they’re one of the things that makes me happy!), and I love using lists as a way to kick-start my writing.

It’s not writing, it’s making a list!

Writing lists appeals so much to my desire for organization, neatness, structure, and order.

Today’s prompt is to make a list of things that make you feel good. If you’d like, scratch out your own list, or enjoy perusing my list, below.

1. When the sky fades from baby blue to yellow in one stunning moment, just before the sky dips into brilliant indigo and deepens to darkness. The hint of a highlight of the last moment of sun over the rooftops, indicating the near-closing of a day.

2. The immensity of oceans, water, and the seaside. Sitting by the sound of swelling waves lapping up at your toes. Where the sky meets the waves meet you.

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3. Swimming, being in water, being immersed in water, being hugged by water.

4. Showers, the tickle of rainfall shower heads, the drizzle of an open-air shower on a hot summer day, opening your mouth to capture part of the rain, closing your eyes, dreaming up the best ideas inside a steady trickle of wet noise.

5. Baths. Luxurious, delicious baths. Bath houses. Steam rooms and cold baths and warm baths and Japanese bath houses and Russian-Turkish baths. The community aspect of bath houses in the winter. The solo aspect of rejuvenating your body.

6. Beaches.Sand in your toes. Sand just warm enough to melt you in it, but not too hot to burn your toes. Playing volleyball in the sand.

7. Forests. Canopies of leaves, overhead roofs, green for days. Multiple colors of green, a rainbow of greens, bright and neon to dark and seductive.

8. Hidden trails and hiking adventures. Leaves, trees, and paths beckoning you to follow them. Wandering in the woods on a mindful adventure.

9. Camping. Spending time outdoors. Un-plugging. Doing things more slowly. Cooking food. Stinking up like campfire smoke.

10. Cabins. Wooden cabins, small cabins, cabins with shared kitchens.

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11. Retreats and adventures with close groups of friends. Sharing a home, a meal, a weekend with people you choose to call family.

12. Shared silence. Conversational silence. Understanding the beauty of a pause as rich as the words just spoken beforehand.

13. Parallel play. Being in the same room as someone and not having your attention commanded by the ego or insecurity of the person across from you. Dwelling in collective, simultaneous absorption in a project or task and relishing in the depth of self-thought.

14. Learning how to sing. Music, of all forms. Wiggling your hips to shake off the day.

15. Afghans and blankets! Particularly tossed up over my head and cuddling me up.

16. Cuddles. Hugs and snuggles and couch cuddles. Pile-ups with family and getting 5 people in a bed just for hugs. Promoting hug parties instead of standing and gabbing when I get tired of extroverted party antics.

17. Really, really good conversations. Conversations that unfold over a period of days, exploring an idea, returning to it, delving into it, pausing, becoming something again.

18. The perfect chair to sit in.

19. Reading good books: books that sweep you up and away inside of their ideas or adventures.

20. Exploring new places as a way of staying present with yourself.

21. Sleep that feels just right and wakes you up feeling refreshed.

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22. Fractal patterns and other patterns in nature. Wondering in the beauty of existing forms, creations, and beings. Sinking into the awe of it all.

23. A black hardcover moleskin.

24. Pens! Pilot pens, V5 thickness. Black ink. Plus back-up roller-ball pens for airplanes, because sadly these favorite pens can explode on airplanes.

25. Cards, notepaper, stationary, letters. A box of unwritten cards beckoning to be written. An enveloped of letters stashed away in my backpack. Writing letters to friends as often as daily.

26. Text messages with friends for no reason.

27. Laughing at inside jokes. Being unable to stop laughing. Uncontrollable giggles. Things that make you giggle with their memory, hours and days later.

28. Monthly friend dates with people far away, people all over the world.

29. Someone who sends the perfect Google calendar invitation, knows their way around online organization tools, and is as geeky as you are about email, scheduling, and notifications. You breathe out. They get it. YES.

30. Making friends on the internet without ever moving past the social connection. Just knowing that you know each other are there. Having that be a joy in itself, and enough, for right now.

31. Writing. Writing in my journal, writing 750 words, writing a blog post, writing an email. Writing out my feelings, my ideas, my worries, my anxieties. Even writing in the middle of the night, when I have to — I still love it.

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32.Writing lists!

33. The perfect soup-plate bowl. One plate-bowl to rule them all.

34. Family. Sisters. Brothers. Cousins.

35. Alex’s cuddles, his smile, his hands, his kind spirit. Talking to Alex when I’m having a rough day and knowing he’ll let me cry and he’ll rub my back.

36. Bicycles. Summertime air. Being outdoors.

37. Bourbon or a really delicious cocktail from Three Sisters in Brooklyn. (I’m longing for one — sometime, soon enough, we’ll have another one.)

38. Cooking potluck dinners for friends. Stews made in one large Creuset pot, soaking up flavors all day.

39. The view from up above — aerial views from a plane.

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40. Thanksgiving. Gratitude. Christmas with the family.

41. Snow Fall. Winter boots.

42. All of my Ecco shoes (they are the BEST). A good brand that treats you well. Excellent customer service.

43. The sound of rain when you’re inside.

44. Blossoms bursting open on an early day of Spring. The first signs of winter shaking off it’s cool slumber into the explosive greenery that is Spring. The fierce trumpeting of birds, flowers, and forests in a vibrant sense of newness and noise.

45. Volleyball games outside. Soccer games. Pick-up soccer! The Brooklyn Bridge Waterfront park. Ultimate frisbee. Running in cleats. Bicycling home. Breathing hard.

46. Yoga. Breathwork. Connecting to your self, your mind, your spirit, your body. Union. Refreshing realizations.

47. Meditation. Easy music to put you into a peaceful resting. Finding a place of stillness in your seat and relishing in it. A warm cup of tea and gazing out the window. Letting the thoughts untangle, tumble out. Slowing down. Breathing.

48. Lofts and unexpected nooks and crannies inside of houses.

49. Urban patterns. Architecture. Understanding that everything outside is built, made-up, born of someone’s imagination and patterning. Space, time, movement, and human behavior. Small cities and big bustling metropolis’. Rural farms and tiny cabins.

50. Being connected to each other.

How to Give (and Get) Great Feedback On Your Writing

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A lot of people have asked me about how to get feedback on their essays. How do they publish it? Who should they ask? And why do they cringe and worry so much about whether or not people will be kind and say good things (or terrible things) about their essays?

Part of the fear in publishing is about being taken down by other people and having people hate what you make. Criticism can feel absolutely terrible and really sting. So how do you craft an essay — and share it — in a way that elicits positive responses?

While I can’t ban all internet trolls from existing, I can tell you some strategic tips about asking for feedback. We rarely do it, and it’s really helpful:

Be direct about the type of feedback you want.

How to ask for feedback (as a writer).

As a writer, it’s your job to proactively say exactly what you’re looking for with a review of your essay. It works really well if you are very clear about what feedback you’re looking for.

For example, here are some types of feedback you might be looking for:

  • Idea-based feedback: what do you think of the idea? Should I keep pursuing it? Is it a good direction?
  • Structural / developmental: does it make sense? Is it organized well? Should the ideas be re-arranged or sequenced differently?
  • Copyediting/proofreading: More fine-tuned, looking for lots of little errors and any last-minute typos.

If you’re looking for idea-based feedback, you might tell someone, “Hey, I have a draft with a bunch of typos in it, it’s not polished, but I want a gut-check that the idea is on the right track. Mind taking a look (and ignoring the typos) and letting me know if you think the overall direction is interesting?” 

Because there are so many types of editing and feedback, it’s hard to know whether you want another person to tell them your ideas on the right track — or to nit-pick through the commas and the punctuation.

You have to tell people what you want.

As a writer, it’s our job to give guidance to what we want. For me, this includes sending early drafts to friends that say, “Hey friend! I’m working on a piece and this is a super rough draft. I don’t need any heavy criticism just yet, but I’d love some words of encouragement and if you could tell me if you think this essay has some good pieces in it.”

I also love asking, when I’m ready, for people to “rip it up, tear it apart, let me know how it stands up to critique.”

How to GIVE feedback:

There’s a great essay and resource from the Facebook design team about how to give great feedback. There’s a difference between critique and criticism, and it’s important to understand the difference. From the article:

  • Criticism passes judgement — Critique poses questions
  • Criticism finds fault — Critique uncovers opportunity
  • Criticism is personal — Critique is objective
  • Criticism is vague — Critique is concrete
  • Criticism tears down — Critique builds up
  • Criticism is ego-centric — Critique is altruistic
  • Criticism is adversarial — Critique is cooperative
  • Criticism belittles the designer — Critique improves the design

This is a great list for understanding how to frame your feedback. Rather than saying “your idea is shit,” for example (although why would we say that!?), we could say, “It’s hard for me to understand the idea because the sentences are really long and winding. Can you try again with shorter sentences to unpack the idea more?”

Their guiding principle for giving feedback is that “critique should not serve the purpose of boosting the ego or the agenda of anyone in the meeting.”

When you give another writer feedback, you’re helping them to build up the essay. Consider yourself a collaborator and a coach that’s helping shape and tease out the best of their ideas. What questions can you ask that will help them clarify their ideas? How can they better explain things? Where do they need to give further stories and examples? What could be simplified or seems confusing to you?

This quality of feedback is immensely helpful, and when I get it from fellow editors, I am grateful.

What about you?

When have you asked for feedback? When have you received useful feedback on your writing? What works, and what hasn’t worked? Are you nervous about sharing your writing?

When A Client Says No — Should You Do An Exit Interview?

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A friend of mine is a successful independent business owner with high-end corporate clients. After a few deals didn’t close — and she didn’t feel badly about the deals not going through — she wondered:

Should I follow up and ask them for feedback about why they went with another service?

Small business reality: you’re always interviewing.

When you’re a small business owner, a consultant, or a freelancer in the service business, you’re often interviewing new clients on the regular. Part of your marketing and sales allocation (whether it’s in time or dollars) is in networking, outreach, and meeting new faces to add to your business.

It can be a numbers game: you interview a certain number of people, and some percentage of them say yes, and others end up not working with you.

The question is: do you ask every single person for feedback every single time you interview a new client?

In my opinion, I think not.

You don’t need feedback from everyone.

When you seek out everyone’s opinion, you water down the quality of the feedback you get back. The average of everyone’s thoughts will trend towards normal, or mediocre. You want to stand out, to cultivate a body of work, to own your own grounding in who you are.

In writing practice, you don’t ask everyone and anyone to give you feedback. I don’t want someone who has no sense of grammar, style, or punctuation to give me final copy-edit feedback on my book. I’m looking for one or two of the best copyeditors. When I’m working through the idea stage, I want the right subset of people who are interested in similar ideas, with a relevant background, or part of the type of audience I’m looking to connect with.

In your business, you might start by asking everyone for feedback all of the time. Every new client is an opportunity to learn! Yay!

As you grow, however, you’ll learn a lot about what clients want and don’t want, and you can start to hone in on who you ask for feedback.

As your best clients for feedback.

And when you miss closing a deal and you feel really bummed because you think that was a great opportunity for leveling up your business game, ask them how you could do better.

Focus on the areas you want to grow, and the people you want to work with, and collect feedback from these specific people.

In-depth feedback from very specific people who are tailored to your idea or business is better than cursory notes from a wide range of not-so-interested people.

 

When working on your business, remember you are interviewing them as much as they are interviewing you. If it’s not a good fit, and you know that they aren’t your right client, learn from it — by focusing on the types of clients you want to attract, and spending your time and energy on them.

What do you think?

Where do you look for feedback? When do you decide not to get feedback? How do you decide what feedback to listen to, and what to ignore? Have you ever had a time when someone gave you feedback and you decided to do something differently?

Would love to hear your thoughts in the comments.

Little Online Moments

It was her first post on Medium.

She wrote about her beautiful son. And the hardest thing that she had been through — heart-wrenching. I read the first essay from her husband, bookmarked it, held her and her family in my hearts. I’ve never met her, but I cried for her family nonetheless.

A year went by, and she wrote again. She started her first Medium blog. I found it one day in my dive into the tags ‘parenting‘ and ‘pregnancy‘ that help organize the site and deliver essays for you to read. I clicked through. I noticed this was her first post on Medium. 11 recommends. 12, with mine. I rooted for her essay.

I followed her. I want to tell her how much I want to read more of her writing.

We had many friends in common. I did that thing that I don’t often do: I found her on Facebook and friended her. I felt a pull, a joy, a feeling —

I wanted to say hello in that strange internet way of no words. A click, a follow, a friend.

A few hours later,

She followed me back on Medium,

Accepted the friend on Facebook,

Recommended an essay of mine.

and I smiled, delighted. Hi there.

Across the continent, never meeting, both likely reading and pouring over internet pages in our own coffee-and-pajama world, we knew of each other. We both absorbed the other.

We spoke no words, we did nothing more than click a button to say hello to each other.

In a world of noisy likes and follows, a chatter of surplus click-bait information, sometimes a tiny nod in your direction is plenty to make you smile.

This has happened before. I have found new friends on the internet, people I’ve never met, people I have come to adore. We speak through shared essays, we write notes to each other, we join in the conversation on Facebook. I still have yet to speak or hug Christina Rasmussen in person, and I think of her dearly. (I can’t wait until we do.) I met Emma Sedlak through our shared love of teaching, reading, and writing — and she joined me as an assistant in teaching my Writer’s Workshop. We ended up chatting on the phone nearly every month, even as she went off to Australia and our phone calls became 6AM her time.

In the online world, we can find each other’s voices and dig in. Listen in. Reach out, write to each other, find new people that say yes to the world in the same way that we say yes.

There is a piece of the online world that accepts friendships in a new way. A digital moment, an internet glance.

And for my new friend, the new mama starting a writing journey, an aspiring writer:

I’m here, listening. I like your writing. Your voice is clear.

Thanks for showing up, mama. you’ve been through a lot. I appreciate you.

Beating Procrastination: 14 Days In, Missed My First Deadline

I missed my deadline this morning — I usually like to have something scheduled to publish for 6 AM each day.

What I’ve been doing is writing during the day and scheduling the post for the following day so I don’t stress on any single day.

But, like promised, I missed a day. Caught a cold on Tuesday night and was in bed most of Wednesday, and today, Thursday… there’s no essay. Nothing pushed out at 6 AM. The only thing that happened this morning was a lot of sneezing and nose-blowing. 

It’s strange, I can feel the stereotypical methods of procrastination sinking in, even while sick. It’s like a sly troll, cuddling in bed with me, green slithery arms wrapping themselves up in my bed sheets. “You already missed your deadline, what does it matter now?” and “It’s 9 AM? You can wait until 10 or 11 AM. There’s no urgency anymore.”

“I mean, you already missed your deadline. Who’s waiting up on you?” 

Then, even more dangerous thoughts: “Well what would happen if you just missed a day? It’s not like it really matters to anyone if you keep up this schedule. You’re just doing this for yourself. It’s an arbitrary deadline.”

Yes, it’s an arbitrary deadline. Yes, it’s “just” a small goal I have for myself, to practice writing every day. And yes, it would be okay — the world would get on, I would get on — if I missed a day.

And if I were so sick I couldn’t move, I couldn’t think, I couldn’t do anything — sure, I could take a break.

But I just spent an hour scrolling on Facebook, another hour staring at a wall, and I answered a few work emails. Bed is doing me good, and I’m getting plenty of rest — but am I really “too sick” to write? 

Wait, would you look at that.

I just wrote something.

3 Writing Tools To Draft, Edit, and Publish Your Work

It Doesn’t Matter How You Do It

I should title this post “how to write every day” or “what tools I use to write every day” because the questions I get over and over again from so many different people are variations of the same questions:

“How do you start a daily writing habit?”

And:

“What tools do you use?”

If you’re struggling to decide between a notebook and a computer, the answer is yes.

Write it down.

Write on a computer when you’re near a computer and you have something to say. Write it on a paper when you have paper nearby.

Put it down in your notebook or on scratch pieces of paper or — heck I do this all of the time — borrow a pen from the waiter and write across napkins if you have to. Miranda July has some stories about how even pregnancy (and labor!) gave her so many ideas for stories and projects that she was searching for paper while bringing her child into the world.

Put it into your phone, if it’s on you.

So the tools, if you must know the tools:

CAPTIO

I use Captio (an app) on my iPhone that allows for recording notes offline and then emails them to my gmail account. In gmail, I label them all automatically with a filter called “notes.”

Gmail-notes

MOLESKINE

I use a Moleskine to write in every day. (I prefer the black, large, hardcover versions that are plain on the inside, like this.) In my notebook, I write down who I meet, my main observations from a particularly delightful meeting, short memories, quotes, stories, and relevant notes. Sometimes I write longer form essays or journal entries when I need a space to write. I’ll often write in it when I sit at a coffee shop and brainstorm without my computer. Each one lasts me about 3-4 months, and has about 200 pages in each one. I label them on the front and keep a stack on my bookshelves.

EVERNOTE

I write in Evernote as well, when I write on my laptop. I prefer offline tools to online tools because I have some bad internet habits (I literally do not know how I end up with 47 tabs open on a new browser window when I get online…). In my Evernote files, I have what’s called a “stack” of notebooks; a notebook is a collection of documents, and then you can stack a collection of notebooks together. Essays move from one stack to the next.

Here’s how I organize my Evernote stack:

WRITING (Stack)

  • Ideas — any scribbling of an idea I have, ever.
  • Drafts — a workable idea that’s got actual sentences in it, paragraphs even, but still needs more work.
  • Pitches — list of places I’ve pitched stories and essays to. A more refined version of “Ideas.” I can move things from pitches to ideas (if they get denied) or from ideas to pitches if they look like things that will fit a particular editor or audience.
  • Finished — any note that works its way from idea to draft and gets published (like this very post here), will get dragged into ‘finished,’ so my ideas/drafts folders aren’t cluttered with already-used ideas.
  • Stories — a place for fiction and short-story writing, when I’m tired of narrative and non-fiction writing.
  • Archive — a place to clean out and dump any past ideas I want to throw away and won’t publish.

And actually publishing something:

When I sit down to write and publish, I start with one of my tools — either I sift through my paper notebook, I scroll through my Evernote stack, or I riff through my gmail folder of notes.

Side note: I usually leave the gmail notes until last, or perform this as a task-based item unrelated to my writing process, because the distraction temptation is so high. I’ll copy and paste out ideas from “notes” in my gmail and from my notes in my moleskine into my Evernote “ideas” folder so I keep an ever-growing list of ideas pouring into these folders.

I’ll review these notes and ideas until there’s something that pulls me and still feels vibrant, like I’m ready to tip and start talking or writing about it.

Some workdays I’ll work on two or three different essays, putting the meat and body into each of the essays. It involves researching, reading, writing out stories, and pouring as many words onto the page as possible. In this process, a 100- or 300-word idea stream can turn into 1500 or more words.

Here, in fact, are two unwritten, incomplete ideas that could turn into full blog posts if I pull them up and feel compelled to write about them:

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This is actually what my first versions of essays often look like.

It’s highly productive and weirdly dissatisfying because usually there isn’t a single essay that gets finished. I still need another night’s sleep and a few more days to tidy it up. On a lazier day I’ll do polishing and editing of a final piece if I don’t feel like tackling a new subject.

When I do work to finish and publish an essay, I’ll find in my “drafts” folder something that’s nearly complete, like this essay was in here. I’ll move it into WordPress (or whatever platform I’m publishing through; sometimes it’s Medium, LinkedIn, sending a G-Doc to an editor, etc). Inside of WordPress, I’ll do a read-through and edit and polish with fresh eyes. Often I’ll add new material, shorten some paragraphs, and keep tightening up the introductory material.

I use the “preview” feature on many of the platforms to review the content in multiple forms. Once it’s ready to go, I’ll schedule it to publish.

But I’m diverting from the main point of this essay.

It’s sexier to talk about tools and process. It’s harder to talk about starting, doing, and persisting.

Not writing because you don’t have the tools is an excuse.

When you’re in the subway and you see the makings of a great story, and you have nothing on you, you still write a story. No pen, no notebook, no phone, no anything — you write the story by using words in your mind and telling the story. Play with it. Make it a sequence.

You practice the craft by practicing the craft.

The man lumbered over towards the station entrance, his walk punctuated by the jostling needed to keep his pants above knee height. His boxers had a cute heart shaped pattern across them, although the fact that she could see them at all wasn’t particularly endearing, she wanted to tell him to lift them up, tuck in his shirt, learn how to walk again. “That duck walk,” she thought, “will not look good anywhere but here…” 

Practice seeing stories all around you. Write them down, however you can.

The Power of Saying Things Out Loud

The power of saying what you want out loud continues to astound me.

It was January 1, this year. I was setting goals. I outlined what I wanted to do this quarter — take singing lessons, finish the first draft of my book, a few more things.

Being in New York has been challenging at times. It’s a new environment, and all my close friends from San Francisco aren’t here. I knew the transition would mean setting up a new community, digging in and getting to know people, but I was up for it.

After a year, however, I confided in my husband that I wanted a little bit more: I wanted a New York bestie. I want a friend friend. You know, someone you confide in, giggle with, laugh with. Someone who can see you being stupid and doesn’t immediately write you off, but thinks, yup, this is all just part of it. Kind of like family. But my family and friends were all back on the West Coast.

I wanted that person here.

So I added it to my January wish list, unabashedly. “Find a New York bestie.”

In my mind, I thought that it might take a while to do. I immediately put up ideas in my mind of how these things happen: we’d have to friend-date for a while, find the right chemistry, weed through a bunch of people, etc. I planned on going to tons of events to meet new people, because, well, higher numbers, higher odds, right? It sounded somewhat exhausting for an introverted writer who likes being home alone. But still, I wrote it down in my notebook:

Find a New York bestie.

A few days later, my good friend comes by my work office just after New Years. We chat about how I’m doing at my new job, and I tell him about my goals list — somehow forgetting that I’d recently written out, “Find a bestie.”

“Goals? Cool! Can I see them?”

“Sure!” I respond. I share my money goals, my learning goals, the fact that I want to write a book…

“Hey, that’s a goal?” He asked, reading over my shoulder, pointing at my friend request.

“Oh! Yes,” I said sheepishly. (Argh, I think. I forgot I wrote THAT down.)

“I’ll be your New York Bestie,” he said instantly.

My eyes lit up. I hadn’t anticipated this.

Like five-year olds on a kindergarten playground at recess, the pact was made. We’d be watching out for each other.

48 hours from start to finish.

Seriously, write down your dreams. Say your dreams out loud.

Using your voice is very powerful.

I’m almost finished with my book, Use Your Voice. To stay notified of early releases and when it’s being published, sign up to stay on my newsletter list below.

Why Starting A “Blog” Is A Terrible Idea

Getting out there on the internet is kind of like making friends as a five-year old.

The internet can be an intimidating place — it’s full of people who seem to write effortlessly and publish often. It’s like they have crowds of people gathering and listening, which makes other people wonder if they’ll ever be able to join in.

Pretty soon the voices of doubt crop up: Why bother? Will you ever get to it? Should you join in at all?

Starting a blog is a wonderful idea, and it’s also a terrible idea. To be clear: you should definitely write, but if you think you should “start a blog,” well, I have some ways to reframe that which are really important.

Everyone wants to write, but a lot of people are scared to.

In every writing seminar I’ve been to — both as a teacher and as a student — the most frequent thing I hear is doubt:

“I want to start a blog, but I’m not sure where to start.”
“I have an idea, but I’m not sure anyone wants to read it.”
“I have too many ideas, so I end up never writing them down!”
“I’ve always wanted to write, but I haven’t started yet.”
“Someone else has already written about what I’ve been meaning to say.”

Why you should write: the magic of the Internet.

Let yourself be found — carve out a second home on the internet.

What do people find when they put your name into the Google machine?

If and when you DO want to connect with others, it’s important to carve out your own “home” on the internet. In the world of Google-ability, we are quickly researching each other in order to learn about their skills and talents.

The good news is that you can own this answer pretty quickly. If you want to craft three articles on a particular topic that’s interesting or a hobby to you (ideally something you’d like to be known for), you can start a Tumblr,Weebly or a WordPress site for free or almost free (less than $50, max, if you want to own a domain name and buy a theme) and post three articles under a header with your name and contact information on it. This can be done in as little as four weeks.

All of a sudden, when someone types in your name, or better yet — the topics you’ve written about — you can now be found. Your ideas can be known.

Resumes are static, and we’re searching for ideas through our web-maze of online information. In today’s world, it’s your job to make yourself “findable.” Put your information onto the web so that search engines — and people, and serendipity — can stumble across it.

Without putting yourself out there, it’s a lot harder to be found.

I get so many emails from people that say, “I was looking for an article about how to improve my writing, or how to write a thank you note, and I started reading your blog and sat down with you for an hour last night. It was so fun to read your thinking.”

By putting my words and ideas into a space where other people can find them, I’ve let myself be found. I can become known for my ideas. If you have an idea and it’s stuck in your head, there isn’t an easy way for anyone to know that you have it. Serendipity comes through connection and collision, and when people can find you and your ideas, possibility sparks.

Now these interactions didn’t happen right away; I blogged for at least six months with only my mother commenting, gently correcting most of my typos and spelling or grammar errors. My sister discovered Grammar Girland gleefully pointed out my mistakes as well, which, as a younger sister, I’m sure delighted her. (I then hired her as my editor for my print projects, which probably made her happy as a clam — now she gets paid to point out all of my mistakes.) There was nothing perfect about my first few essays. Perfect is a pipe dream. There will be people who point out your mistakes, and people who see the bigger picture and connect with you over ideas. Both types of people exist, and you will meet both of them.

Don’t let being afraid of making a mistake stop you from making anything at all.

Start small: create a project, not a life.

The other thing to remember is that some of the best websites aren’t by people who show up every week. You might not have the stamina (or the resources) to enter into a writing relationship that’s indefinite in its time frame or scope. In fact, I think that’s a terrible way to start. For people starting a blog, I recommend thinking of it as a “Project” and not a “Indefinite Relationship.” When you commit to a blog and say to yourself that you’re going to write every week for the next two years, the minute you mess up or miss a week, you’ve essentially failed the project. Who wants to be disappointed that they tried something?

For people starting a blog, I recommend thinking of it as a “Project” and not a“Indefinite Relationship.” When you commit to a blog and say to yourself that you’re going to write every week for the next two years, the minute you mess up or miss a week, you’ve essentially failed the project. Who wants to be disappointed that they tried something?

The alternative, and what I recommend in all of my writing classes, is to create a project that you can do well at, by changing the parameters. Instead of promising an indefinite relationship, drastically reduce it in scope and start with a reasonable project that has a defined ending from the beginning.

When you can close a project successfully and complete it, you’re much more likely to continue on to a phase two or phase three of a project, rather than let it taper off into the land of incomplete projects. You also change the feeling relationship you have with yourself — instead of creating an inevitable failure-situation, with resulting disappointments and twangs, putting pressure to show up in a way that might not be reasonable for you because of all of your various commitments–you’re creating a success situation, where you can end the project within a concrete time frame and still be very happy that you did it at all.

I recommend creating a project that says, “I’d like to talk about _[topic]_ in 4 posts, within the next two months.” Give yourself a start time, and end time, and a quantity. Specify a topic. Perhaps you want to blog about four fabulous meals that you cooked and created. Maybe you want to chronicle your science journey behind the lens of a microscope. Maybe you want to document your notes on a new class you’re taking. You could start a Tumblr with your favorite photos of doorways in your quirky city. The possibilities are endless, but you must pick one small one (and only one).

Don’t believe me? Blake Master’s compilations of Peter Thiel’s lectures is one of my favorite sites to read and there’s a fixed (static) amount of content — 13 lectures — accessible indefinitely for those that want to self-teach and read the series. He’s not adding more content. He’s creating great content and sticking it up in a place for people to find it.

What I find with myself–and others — is that if we try to start too big, we actually fail to start at all.

When we dream the big dream of master projects and hundreds of photographs and best-selling books, many people fail to start because the dream is too big. I’m all for big dreams and goals–and relish in them, dance in them, and visualize them — but when it comes to the implementation, start with something small enough to do in a day or a week. Want to write a best-selling book or post? Start by researching your ideas, one at a time, in short posts. You can collect them later. In fact, the short pieces will serve as your building blocks for the bigger pieces.

Almost everyone I know that’s created something big started one, small, tiny step at time.

Bottom line recommendation? Create a fixed, small project that’s do-able within a time frame of less than 3 months.

Start writing — right now:

My takeaways for you? Build yourself an “internet home,” even if it’s only to enjoy making something by yourself.

I’m biased — I think we should all participate in this new form of community space, this digital world where we can place our creations. If you’re wavering about creating something, let me be clear: I think it’s time for you to join in.

To make it easy on yourself, start small. Pick one topic or project that you’re interested in, and make a small commitment to create a collection of pieces–drawings, ideas, words, notes, stories, essays, paintings, photos, or other–around this topic.

Give yourself a deadline of 3 months or less (ideally one month). And finish it.

What happens? It gives you something to point to. It’s a reference point for the future. It’s a means towards executing your projects. It’s a way to start a conversation. And it’s a way to do the things you’ve been talking (or thinking) about doing.

And best-case scenario? You get to meet a few people along the way who like talking about what you’re doing.

Is it time to join in?

If you’ve been thinking about joining the online conversation, or dreaming of starting a blog, website, or publishing more, it’s time to start.

The goal isn’t to have the loudest voice on the internet. It’s to have a voice: your voice. The point of writing is not to just to publish for someone else: Writing and storytelling are about developing a relationship with your voice and ideas. It’s about finding and practicing ways of expressing your ideas to yourself, and then to others.

It’s an incredible place. I hope you’ll join in.

Writers Resources for 2015: Make a Living as a Writer With These Sweet Courses

TWL Bundle_Image1_Facebook

Want to make a living as a writer?

Maybe you’re simply looking to improve your craft. Maybe you want to self-publish a book, or you want to learn more about publishing. Perhaps you’ve got a side-hustle, and you want to turn it into a full-time business. Maybe you’re working on a book proposal but you’re stuck!

Either way, there’s a LOT to learn in the world of writing.

If you’re a writer, author, or want to begin publishing — then I’ve got something you won’t want to miss. Every once in a while, I get to participate in the creation of really cool products and offerings. Today, I’m part of an amazing round-up of resources made especially for writers:

The Writer’s Bundle.

My friends at The Write Life put together a package of nine ebooks and courses on freelancing, self-publishing, marketing, productivity and more.

You might recognize many of the names of the creators of these products, including Joel Friedlander, James Chartrand, Charlie Gilkey and Alexis Grant. Plus, if you look closely — one of my main courses is included as well. (Woohoo!) If you’ve been eyeing Content Strategy for Thought Leaders, then this will be a no-brainer: the entire bundle retails for less than the price of my class.

A lot less, actually.

TWL Bundle Headshots Grapic_500

I feel obligated to say this in writing: if you purchased each of these resources individually, they would run you nearly $1,100.

Through this bundle, you can grab the entire package for just $99.

So if you’ve been wanting to join us in Content Strategy for Thought Leaders, which retails at $300, then you can do so today — for $99. And get eight additional classes as part of it.

What’s the catch? Because this is such a good deal, my friends over at The Write Life are offering it for THREE DAYS ONLY. That means if you want it, you should grab it now.

Download The Writer’s Bundle Here.

Want more details? Here’s what you get when you download The Writer’s Bundle:

  • Kindle Launch Plan: $1,400 in 30 Days & an Amazon Bestseller, from Nick Loper (retails for $99)
  • Content Strategy for Thought Leaders, from your truly! (retails for $300)
  • Learn Scrivener Fast, from Joseph Michael (retails for $179)
  • Book Proposal & Manuscript Template, from Joel Friedlander (retails for $27)
  • The Momentum Kickstarter Kit, from Charlie Gilkey (retails for $47)
  • Authority: A Step-By-Step Guide to Self-Publishing, from Nathan Barry (retails for $39)
  • Turn Your Side Hustle Into a Full-Time Business, from Alexis Grant (retails for $47)
  • Video Idiot Boot Camp, from Katie Davis (retails for $297)
  • Write for the Web, from James Chartrand (retails for $23)

Remember: It’s only available until Wednesday, March 11th, at 11:59 p.m. EST. Get your hands on this amazing offer while you can!

P.S. Here’s the link once more: Download The Writer’s Bundle.

How to write more handwritten notes.

I love checking the mailbox. I’ve had pen pals since I was seven years old — and it’s one of the ways Alex and I first met.

Yet in today’s busy-busy world, how do you make time to sit down, get out the pen, and write a note?

Here are a few tricks you might love:

handwritten notes-moleskine

1. Tuck a few cards into the back of your moleskine.

If you’re like me, and you carry a notebook and a pen around, use that back flap to tuck a few postcards and blank notecards into the back. If you have a laptop case, a soft case for your ipad or tablet, or a kindle case, that also works. (I keep notecards in my kindle case and my moleskine).

2. Stock up on notecards and postcards at thrift shops or airports when traveling.

I always add an extra $20 into a trip to buy a little set of cards from a local artist or craft store. It’s a great way to get a souvenir without having to take anything extra that stays in my home for too long.

3. Keep a stack in a box on your desk.

I have a small box with several dozen cards and postcards in it that sits on my desk, next to my pen jar. Anytime I’m waiting for something to load (saving, uploading, syncing, rebooting – you name it, there’s technical lag time) — I’ll grab a card and write.

4. Keep a special slim bag for notecards and stamps.

I have a special zippered bag that has travel essentials in it — whenever I’m consulting, teaching, or getting on an airplane for a work trip — and I keep my converters, chargers, and essential digital items in there. (It’s a handy bag that I adore and it has all the wires and cords for setting up projectors, adaptors, and more). It’s got a little sleeve down the side and I put in a stack of notecards and business cards to be ready whenever I need them.

I love those waterproof all-in-one zippered bags, cosmetic bags, or all-function zippered bags from MUJI.

handwritten notes-zipper bag

5. When you feel the urge or a twinge that says, I miss that person — write.

Capture the intuition. I’ve written to people I’ve barely talked to, people I admire online and respect greatly, and send notes to people who I can sense are having a hard time. Sometimes it’s been years and I see someone’s face again online and I think — ahh, that person is lovely. I know we didn’t keep in touch, but I’ll send a little note.

6. Use takeoff and landing time!

When airlines tell me to “put away and stow all electronic devices,” I smile and grab my notecard bag. Whenever I’m departing is a great time to scribble out a few quick thank-you notes to the people who hosted me, people I just met, or people I spent time workshopping with. There’s usually at least 20 minutes between takeoff and getting to cruising altitude, so I use that time to jot out my notes, thank-you’s for the holidays, and anyone else I feel like writing to.

But what do you say?

Writing quick cards is about cultivating the habit — keeping the cards near you on your desk, in your purse, or in a device that you use all the time (read: laptop, kindle, tablet) means it’s super easy to grab one quickly when you need it. I keep cards all around me so that when I get the urge, I can cultivate the habit.

Keep the notes simple.

And here are a few scripts I love. Take ’em, use ’em, run with ’em:


 

“Congratulations! I saw your recent good news and I wanted to say how inspiring everything you do is. Keep it up! XO.”

“Been thinking about you. I know it’s been forever since we’ve connected, but I wanted to drop a note and say how delightful it is to see what you’re working on. From an old friend, XO.”

“Sending you lots of love and hugs right now! I know that life has a lot of rough and tumble spots and I wanted to send a little smile your way.”

“I wanted to drop a quick note and say THANK YOU for hosting me this past week. It was wonderful to stay with you and meet your crew and I appreciate your hospitality so much!”

“You’re the best. Seriously. Thank you.”

“Just wanted to say hi!”


When in doubt, add your favorite quote or two and just a couple of sentences. It doesn’t have to be an epic letter — the note says enough when you send it.

I love handwritten notes.

Send a little happiness into the world!

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